Senin, 02 Mei 2011
Mariya Saakyan - Mayak (2006)
Maria Saakyan's elegiac, semi-autobiographical slice-of-life drama The Lighthouse (2006) unfolds in the very early '90s, against the backdrop of the Caucasus wars that plagued Georgia, Armenia, and Azerbaijan. As the scope of this mass-scaled conflict extends itself to one woman's small village, she is forced to drop everything, move to Moscow, and start over from scratch -- thus bidding farewell to her hometown and way of life, perhaps indefinitely.
(Nathan Southern, All Movie Guide)
Impressive allegory of war – notably in how it affects communities of the elderly, infirm, children and women left bereft by the absence of their menfolk, either through battle, exile or death – set in an undefined region of the Caucasus, but making clear references to the genocidal Armenian experience. Lena (the expressive Kapaleva) journeys by train to her mountain village, in the aftermath of an unspecified war hinted at by government radio broadcasts, to encourage her grandparents’ departure but finds herself stranded. Beautifully shot in muted colour tones (replete with some extraordinary mordant, misty time-lapse shots of the helicopter-gun-ship strewn landscape), this atemporal requiem, assuredly directed by Saakyan, is played out with a Kusturica-style heightened naturalism, stripped bare of his carnival-esque levity, and deepened by affecting poetic musings on familial and cultural loss.
(Wally Hammond - Time Out London)